SUMMARY

I. Cinematographic Art

Mitarcă Monica-Elena, Phd c, “Dimitrie Cantemir” University, Bucharest - Cultural Mechanisms - the Savage in Audiovisual Fiction. Us versus the Others

Florin Gioroc, PhD, Hyperion University, Bucharest - Technical Intervention with Aesthetic Purpose, Regarding Space (location)

Despina Chirimbu, B.A. Hyperion University, Bucharest - The Revolution of Expression in World Cinema

Liana Ionescu, PhD, Hyperion University, Bucharest - Cannes Lions 2011 – Exploring the Creativity

II. Cultural studies: Artistic Identity

Roumiana L. Stantcheva, Sofia University “St. Kliment Ohridski”, Faculté d’Etudes Slaves, Bd. Tzar Osvoboditel - Migration Et Identité De L’artiste Contemporain

Elena Saulea, Professor University of National Theatre and Film, "I. L. Caragiale", Bucharest - ReInventing Imaginary

Ileana Alexandra Orlich, Professor, Arizona State University - Nikolay Gogol’s the Government Inspector. Stalinist Aesthetics and Subversive Staging in the Soviet Theatre

Efstratia Oktapoda, Professor, Sorbonne University, Paris IV - Enfants et trauma. Le trauma d'enfants abandonnés de père. « Qu'as-tu fait de tes mômes, papa ? » de Ezza Agha Malak

Mihaela Triboi, Phd, L’Université Hypérion, Bucarest - Teatr.doc de Moscou – un théâtre ou on ne joue pas

Linda Maria Baros, PhD, Université Paris-Sorbonne, Paris IV - De la métamorphose érotico-sylvestre dans la poésie de Mircea Bârsilă

III. Book Reviews

Efstratia Oktapoda, Professor, University of Paris-Sorbonne IV & Abby Héraud, Ph.D., Kansas State University, Jean-Michel Rabaté. Given: 1° Art 2° Crime. Modernity, Murder And Mass Culture. Brighton/Portland: Sâussex Academic Press, “Critical Inventions”, 2007. Ix + 228 Pp., Isbn 1-84519-112-9.